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(SONG ENDS)

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(CHEERING AND APPLAUSE)

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Thank you very much.

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Thank you very much,
ladies and gentlemen,

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for being with us tonight
here in this magnificent hall

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which is like a house of magic.

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And I want to tell you what
a privilege it is for me

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to be here with you in this hall

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stand in front of perhaps
the world's greatest orchestra -

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the Berlin Philharmonic.

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(CHEERING AND APPLAUSE)

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To be standing in front of
this orchestra, for any musician,

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however humble or great,

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to be here with you for these few
moments is truly a great honour

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and a privilege.

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And I'm so grateful
for this invitation to be with you.

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(APPLAUSE)
Thank you.

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I have never been to Berlin before,

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I've always wanted to visit the city

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and it is incredibly beautiful.

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And I just give you
a couple of impressions:

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the weather has been gorgeous,
these early-autumn days,

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we've had sun.

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And driving around the city,
we see people on bicycles

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and actually walking,
in Los Angeles you don't walk.

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There are freeways and cars,
that's all we have.

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And it is- the city is
so alive and is present

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and you have the great history
of the area,

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these magnificent buildings
and monuments.

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And I walked in the Tiergarten
and I see all the little children,

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gorgeous faces, and I think,

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well, the future of this place
is going to be fantastic and bright,

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if we all do our jobs very well.

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It's a fantastic place and I'm very
happy and also honoured

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just to be here in your midst.

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To the music.

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Here's a little suite from
Far and Away,

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which is a film some years ago with
Tom Cruise and Nicole Kidman.

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You'll here in this little suite
an atmospheric theme

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that describes the County Galway
in the time of 1892,

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when the film was staged.

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And there's some action music
which begins as a, kind of, a dance

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which the village fiddler will
lead us

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and the orchestra will join in all
of this a little bit later.

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Then of course a love theme
for the two young people,

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played by Tom and Nicole,

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and then finally the Donnybrook.

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And the Donnybrook is the comedy
fight and when you hear the cellos

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and basses rumble over here,
with all their notes and strength,

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that's the beginning
of the Donnybrook.

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And here is Far and Away.

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(APPLAUSE)

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(SOFT MUSIC)

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(SOFT VILLAGE DANCE MUSIC)

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(LOVE THEME)

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(DOONYBROOK MUSIC)

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(SOFT DRAMATIC MUSIC)

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(SUITE ENDS)

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(APPLAUSE)

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Harry Potter, I'm happy to find, was
as popular in Germany as elsewhere.

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These amazing books and movies have
been the...

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..greatest British export,
since the Beatles.

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Which could be true.
(APPLAUSE)

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(SONG ENDS)

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(APPLAUSE)

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(APPLAUSE ENDS)

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(SONG ENDS)
(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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Thank you so very much.

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Here are three pieces from
Indiana Jones.

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(CHEERING AND APPLAUSE)

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We have- We have already made
four Indiana Jones films

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and as we speak, in London,

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Harrison Ford is now shooting
the fifth one.

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So I think that's good news.

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Because when I leave Berlin,
I will go back to Los Angeles

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in a few days and begin to write
the score for the fifth film.

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(CHEERING AND APPLAUSE)

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Thank you.

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So we have no resting.

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The first of the three pieces is
Scherzo for motorcycle and orchestra

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but you will not see a motorcycle
on the stage.

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But the title is the poor composer's
feeling, I'll explain to you.

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This is a scene in the movie
with Sean Connery and Harrison Ford

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and they're on a motorcycle and
they're being chased by the bad guys

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and the piece you're about to hear
is the piece that I wrote

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for the choreography of that chase.

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And then a few months later,

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I went into the movie theatre
to watch the film

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and the motorcycle chase came along
and all I heard were motorcycles,

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I didn't hear the orchestra at all.

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You can image the composer's
bruised vanity.

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So it's a treat for me to play it
for you with this orchestra

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without the distraction of the film.
(LAUGHTER)

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And the noise of the motorcycle.

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And that's followed by
Marion's theme,

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Karen Allen, do you remember
in the first film.

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It was so great,
and the action sequences,

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as well as comedy.
And then finally Raider's March.

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(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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Thank you, ladies and gentlemen.
Next is a piece called Elergy.

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And it will feature our cellist,
your cellist,

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Bruno Delepelaire.

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And I am delighted to have him do
this piece for me.

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I wrote it a number of years ago
for two lost children,

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and Elegy, a you know, is a-
Well it can be a wish or a prayer

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for condolences and the like.

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To assuage the grief of people
who have lost.

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But it can be other things.

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It can be a wish and a prayer
for wholeness and forgiveness.

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These emotions,
of all the instruments we have,

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are often best expressed
by the cello, I think,

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I love the instrument and
I've written for it every time

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I've had an opportunity to do it
because I love the instrument

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so very much.

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And I hope you enjoy it. Elegy.

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(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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Here are three pieces from
the Star Wars collection.

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(CHEERING AND APPLAUSE)

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The first on is an Adventures of Han
scene, a very active piece

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for the orchestra.

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Second piece is Yoda's theme,
which goes way back.

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And thirdly the processional
and finale of the first film,

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we have the processional in the
throne room which you may remember

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and then the end credits of
Star Wars.

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So here's Adventures of Han,
Yoda's theme,

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and the finale
to the first Star Wars film.

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(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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(SONG ENDS)
(APPLAUSE)

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